Ibike Korea People-to-People Program |
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Walking tour: Sample the
sights of this modern South Korean city. |
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This walk starts at PIFF Square, named in honor of the Busan International Film Festival, which started in 1996 and has been getting bigger every year, since. |
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From
there we turn the corner and walk down Gwangbok-ro (Independence Rd), originally
a stream, by 1895 it was so polluted that it was covered. During the Korean War
many artists relocated to Busan in fear of the communists oppression. A lot of
artists settled in Gwangbok-dong, Nampo-dong and Donggwang-dong and continued
their production despite economic hardship. These neighborhood emerged as a hub
of cultural activities and continued to play that role for several decades until
the area was gentrified into "Fashion Street" around the turn of the century.
One focal point of Gwangbok-ro is City Spot, which has a sculpture of people and
birds, and an exhibit of dedications to Busan from its sister-cities around the
world. There are a half-dozen other interesting sculptures along the
street, including a couple boys who have climbed a light pole. |
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Continuing
on you get to the Rope, Nets and Floats Market. Who knew that there were so many
kinds, colors and sizes or rope, net, traps and floats. I suppose the
fisherman take it for granted. |
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![]() Around
the corner the dominant merchandise changes to dried fish. Who knew that there
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Fish mongers need good sharp knives
so the fish market had several knife sharpeners (right) spread around. |
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Back
outside, there are not as many tanks of live fish, but there is a wide variety
of fresh fish (snappers, mackerel, octopus, ell, rock fish, grouper, tuna,
clams, etc.) |
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![]() There are so many different kinds of fish with so many different sizes, shapes, colors, and textures, that you feel compelled to keep taking |
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![]() pictures so that you can do it justice, knowing that you will always be leaving something out. |
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The market is not all work and no play; a fish monger stopped for a game of go, a group of walkers was relaxing on the pier sharing a picnic and along one of the wharfs a number of men were watching and waiting for their fishing poles to spring to life, indicating a fish on the end of the line. |
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Enough of the fish for a while.
Away from the wharf the is fifty square blocks of retail, consisting of Bupyeong-dong
Market and Gukje Market.
Signs and banners on the sides of building advertise the diversity of
businesses. The signage can get to be quite hectic and by North America
standards would be considered visual pollutions. But for now, in Korea, it
is the character of the land. A major period of growth was the early
1950's when the influx of refugees increased both the number of street merchants
and consumers hunting for bargain-priced products and food. In the end of 1954,
a devastating fire dealt a blow to the burgeoning economy of the area, as it
engulfed the whole refugee area and left a number of people homeless.
Gukje Market is still considered the place to go to find the best prices in
Busan. |
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There was section of the market for snack food, a section for dried beans and grains, a section for fresh vegetable, a section for furniture, a section clothes, a section for cooking utensils, a section for shoes, a section for jewelry, a section for crafts, a section for hardware, and the list could go on. |
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In
the
Hanbok district, custom hanboks are made in dozens of shops. There seem to
be so many styles and some colors and kinds of fabric that it is possible that no
two hanboks in the country need be alike. If you want one all you need to do is pick you
style and fabric -- probably not an easy task given so many choices. From the
look of the intensity of the decision making in the hanbok shops, great
consideration was being giver to every detail. |
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Gukje
Market still has a variety of street merchants. This woman is selling
fresh ginseng. In the foreground (left) are some tubs of rice. Behind the
ginseng seller is a merchant with hair products and household goods, and other
vendors stretch down the block, on both sides of the street. |
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I
would be remise if I did mention the bike shop in the Gukje area. Even more
fascinating is the Gukje Underground Market, which is full of venders and runs
for several hundred meters under the road. That is where you will have to
go to find the high-end, home decorating boutique (right). |
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| Busan Modern History Museum: Built by the Japanese, it was originally the Busan branch of the Japanese Overseas Development Company (started in 1908 implement policy of Japanese economic domination -- buying rice and selling industrial products.) After is was ceased by the US in 1949, it was used as the Busan branch of the United States Information Service (USIS) until 1999. The lower right corner of the front of the building was firebombed by anti-American demonstrators in 1982. It now houses exhibits on the history of Busan. | ||
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Yongdusan
Park was established to remember the refugees who once called the area home, the
war that devastated their lives and the 1954 fire that swept through Gukje
market and dealt their burgeoning economy a sever blow.The park is now dominated by 300m Busan Tower, which gives a clear view of Democracy Park on the peak to the north. |
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![]() Even on a weekday afternoon the park was full of people; there was an art class of young girls scattered around, groups of older men sat and pass the time together, and some teenager girls were probably do the Korean equivalent of hanging out. |
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The Love-Lock Heart is a very sweet and
romantic installation: Couples attach there names to a padlock and then
lock it to the heart or the fence behind it. There are a hundred feet of
fence with
thousands of locks hanging from it. Only a cynic would ponder whether the
couple come back and cuts the lock off as a ritual if they break-up.We met this group of girls in an art exhibit. The exhibit wasn't drawing a lot of attention during our visit, but it was a gorgeous day outside. |
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| On a clear day it is worth the price of admission to take a trip to the top of Busan Tower to ponder the layout of the city and the landscape beyond. | ||
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| The five view above are from the tower. From left to right: The first is the area that was largely refugees following the War. The second photo is looking south. By 2020 it the center of it will be dominated by a 125 story building. The third photo shows a small part of Busan Harbor, one of the largest in Korea. The reddish high-rise, in the forth frame, that is unique for its Korean-style roof, is a hotel that is popular with Japanese tourist. The last photo is interesting for its 'invisible' building. The building is certainly clear enough in the photo and it stands out for it art-deco architectural styling, but it isn't identified or highlighted on any maps. It is the meteorological agency and the building was built early in the period of Japanese occupation. | ||
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Generally the Korean War created a lot of refugees
across the country. Specifically, because Busan had been spared any fighting, it
was a heaven and several million refugees headed there. One area that they settled,
with makeshift and substandard houses, from hill to hills, were the slopes
above "40 Steps" (40 Gyedan). 40 Steps was the way down to the city to find
food and try to make a little money for survival. 40 Steps Cultural Streets is
now remembers the struggles and good times of
the refugees who lived in the area.
The art includes (Railway Rd) The Gate of Peace, Korean popcorn vender, train
tracks, Mother and Children, Railroad Crossing Square and (Coastal Rd)
Relaxation of a Father, Wharf Square and Sora Gyedan (spiral stairs). |
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The 40 Steps Cultural Center is part of the neighborhood nostalgia. On 5th floor of the Service Center building is an exhibit show history of Jung-gu from before 1876, during Japanese colonial rule, the period of the Korean war, and the life of refugees in the 1950's. The 6th floor exhibit shows the history of Waegwan from the 1407 to 1876, Nampo-dong Theatrical District and more. |
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40
Gyedan is still a working neighborhood. The most common business is print
shops (right). There were a half-dozen shops with presses whirling away on
one block. That makes it the print-shop district.The most interesting undertaking was the seamstress preparing wedding dresses (left). To get enough room the dress were hung from a rod outside and were twice the height of the average Korean. |
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Old
cities often have narrow street and Busan is no exception. Narrow streets
call for specialized vehicle to make deliveries. The cargo bike (left) and
the cargo motorcycle (right) may not be glamorous, but the are practical. |
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| Beyond the 40 steps the city is decidedly less pedestrian friendly. But if you venture on it is not too far to Chinatown and Busan Station. | ||
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Chinatown
is at most four blocks (one block in each direction emanating from a central
intersection), but most of it is in the one block with the gate, two statues and
canopy. Beyond that there seems to be very little that is Chinese.
The characters on the gate are Rae-Rae-Kang-Ryung, which wish all people coming
and going through the gate good health and peace.Interestingly, the two very common scripts here, beside hangul, are Cyrillic and Greek. |
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Ba
wang and Bie Ji are two characters from an old tradgic Beijing Opera. At the end
of the opera Ba wang is defeated in battle, Bie ji, his concubine commits
suicide and then Ba wang also kills himself as his only escape from misery. |
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![]() The station is elegant with a welcoming plaza in front. Among its other features is a large sculpture/fountain, some pig-planters (I don't get the tie-in) and a sleek steel sculpture that emulate the bullet train(s). |
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While
we were back at the hotel to freshen up a small parade with traditionally
dressed musicians and a couple of lion dance teams passed by. The parade
was part of the opening of the Jagalchi Festival, an annual two-day
event, in October, that highlights the local fresh seafood industry. After the
opening ceremonies, which includes a parade of workers dressed like fish and
other sea animals, visitors can watch several events (boat launch ceremony, fish
dance exhibition, and fireworks), participate in contests (eel relay race,
foreigners' cooking contest, and Jagalchi ajuma pageant), listen to music
on several stages and, of course, eat fresh seafood, drink soju (rice
wine). |
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After a long walk it is time for a
hearty dinner.
Let's checkout the Sindonga (Live) Fish market. Sindonga Fish Market is a vast hall filled with individual vendors with their own fish tanks and tables. It is very popular with the after work crowd who find raw fish and soju a pleasant combination. |
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![]() The menu is in the vats and tanks: (left to right) sea worms, squirts, octopus, shrimp, fish. |
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After you pick what
you want for your meal it is freshly prepared while you wait. The
operative word here is fresh. Most of the creatures are serve raw, but there is
an option to have some of the fish cooked. Looking around there wasn't a
lot of cooking going on. This is the raw fish market anyway. |
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When the octopus lands
on the table it is still moving. After the little pieces of tentacle have
attached themselves to the plate they stop moving -- until you try to pry them
off to eat them, in which case they
wiggle frantically again -- even a half hour later. For sea urchin on the
half shell you only it the yellow custardy part. It in fact has a custardy
texture. |
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Greater Busan |
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Beom (범) = nirvana, eo (어) = fish, sa (사) = temple is built on the slopes of Geumjeongsan, thirty kilometers north downtown Busan. It was constructed by the monk Ui Sang in the 18th year (678) of King Munmu (reign 661~681) of the Silla Kingdom (the kingdom mainly occupied the Gyeongsang-do Province region in 678A.D.). During the Goryeo dynasty (918-1392), it was much larger than it is today - with over 360 rooms and more than a thousand monks in residence. The temple was burned to the ground in 1592 during the Japanese invasion. It was reconstructed in 1602, but was burned again by an accidental fire. In 1613 the reconstruction of the temple was begun. | |
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Beomeosa
myth: "There is a well on the top of Mt. Geumjeongsan and the water of
that well is gold. The golden fish in the well rode the colorful clouds
and came down from the sky. This is why the mountain is named Geumsaem
(gold well) and the temple is named 'fish from heaven'." |
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The main temple hall, Daeungjeon, was built in 1614 after the temple was burned down during the Japanese invasion of 1592. Major renovations of Daeungjeon were undertaken in 1713, 1814 and 1871. The roof is particularly impressive and is considered some of the finest architecture from the Joseon Dynasty. The roof is hipped and gabled. It uses a system of multiple interlocking bracket clusters to support a set of three purloins on the interior and exterior of the building. | |
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This pagoda dates back to the Unified Shilla era and probably was erected as part of the original temple that was destroyed by fire in 1592. Unlike other pagodas, its foundation doesn't have pillars central or corner pillars carved in. Instead each side of the upper-layer base is embossed with one large lotus leaf and each side of the lower-base is embossed with three small lotus leaves. The main body and roof stone are each built from one stone. On the main body stones two corner pillars are engraved. On the lower side of the roof stone a four-layer cornice is formed. The lines on eaves keeps horizontal but curves its direction sharply at the edges. This is a typical design for the time period. The top stone of the pagoda has a pearl-shaped stone on its base. Considering the who technique of design and construction, and the lotus leaves embossed on it foundation, it is presumed to have been built in the 9th century. | |
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This lantern dates back to the Unified Shilla era and probably was part of the original temple that was destroyed by fire in 1592. The octagonal stone lantern, typical of the Unified Shilla period, consists of a roof, a fire place, an upper stand, a pillar and a lower stand. This lantern was originally placed in front of Yonghwanjeon (temple), but was relocated the present site during the Japanese occupation. The lantern, with a lotus pattern on its upper and lower stands, is in the same style as the stone lantern at Bulguksa, near Gyeongju. The stone pillar of this lantern, which was added later, is so thin that the lantern loses its overall balance. Some subsidiary parts are also lost from the top of the gable of the lantern. | |
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In
its original configuration of the Palang-Dokseong-Nahanjeon, from 1713,
the Palsangjeon (temple) was on the left and the Nahanjeon (temple) on the
right, with the Cheontaemun (gate) in the center. After reconstruction in
1905, the Palsangjeon and Nahanjeon remained true to their original
design. The Dokseongjeon (temple) replaced the Cheontaemun, with a more
decorative form, including a unique arch-style doorframe, an ivy-shaped
pattern on the triangular part of the wall and latticed doors. The
Palang-Dokseong-Nahanjeon is considered of cultural importance because it
retains most of the architectural style of early 1700s and enshrines three
Buddhist sanctums in one place, and incorporated exceptionally artistic
design and inscription methods in the Dokseongjeon. |
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